lundi 23 mai 2016

Musings upon season six episode 4 of Game of Thrones


When the Stark children chose names for their dogs, we were led to believe their choices reflected their dreams or their characters. Sansa's ambition was to become a Lady, Arya a great warrior like Nymeria. Robb fancied himself a warrior in the rugged northern tradition, raiding hard and fast, hence Grey Wind. Jon, who had grown trying to keep out of the way of Lady Stark, saw himself as the ghost of a person. Bran, reluctant to grow up after facing his first execution, called his wolf Summer in a futile attempt to preserve the happiness of the present. Baby Dickon called his Shaggydog, a reflection on his own unformed personality. But was there more to the names ? Was there perhaps a hint of things to come ?



For since the first chapter of the books and the first episode of the show, the wolves' fates have somehow reflected their owner's. When Lady died at Jeoffrey's hand, Sansa's dreams of becoming a fairy tale queen started crumbling, and the execution started a pattern that would eventually lead to Ned Stark's. If Sansa had been able to read Lady's death, she would have had a clue to the danger ahead.




This much Arya realized. Instead of going into denial like Sansa, she gave up Nymeria so the direwolf could flee for safety, a pattern Ed duplicated when he had Yoren collect her and help her escape from King's Landing. Eventually we realize that Nymeria has found herself another pack and has become an able leader. Does this foreshadow Arya's future ?




Grey Wind was as short-lived as his master's political ambitions : gone with the wind; Shaggydog's death is yet unclear : it could mean either that Rickon's childhood is over, and that he will be forged into a new man by the experience, or that he is going to die and be remembered as nothing more than some shaggy boy from the North. Summer's death (Old Nan called Bran « sweet child of Summer ») has hastened Bran's entrance into adulthood, forcing him to take up the responsibilities of the Three-eyed Raven. Like Lady's death, it signifies the end of innocence.




When he joined the brotherhood at the Wall, Jon became just another crow, so Ghost's name was still apt, but it is doubly so now that the former Lord Commander has come back from the dead. Will Ghost die or survive ? Does he have to die so that Jon ceases to be the Bastard and is revealed as a Targaryen ? Does he survive, a ghost of things to come, so Jon can lead the wildings to victory before becoming their king, making peace with the Children, and settling North of the Wall with Brienne and Tormund (who live happily hereafter?)








lundi 9 mai 2016

Game of thrones season 6 review, Go Tyrion, go !

Season 6 has started, with lots of spoilers and theories sprouting around the web. People are either Ow!Ow!ing or complaining. The Dorne department sucks, the Ironborn plot apparently leads nowhere, the mother of dragon is on a boring trek, Arya has graduated as a full-fledged assassin, Ramsay just fed his baby brother to the dogs, Sansa remains magically dry after wading through snow and water, King's Landing is its usual cesspool of intrigue, but John Snow is back.

Meanwhile, in Mereen, the imp is temping for Dany. So far, there have been two major scenes, one which drew tears from the audience, and one which elicited boos and outrage.

Book savvy Tyrion is perhaps the only person in Westeros to know about dragons otherwise than empirically. Up to now, the dragons have been treated either like children (Dany) or horrible monsters (the rest of the world). Tyrion, by contrast, addresses them as rational beings, and gets an appropriate answer. The next scene, which I saw as a kind of countermask, has Tyrion addressing his fellow human beings Missandei and Grey Worm as he would Jaime or Varys, and getting blank stares in return. The Dragon Whisperer has apparently failed to do his homework on ex-slaves.

GOT adolescent audience reacted strongly to the latter scene. Boring, boring, boring, nothing happens, what's the point ?

Apparently none of the humor of the scene percolated into the brains of an audience geared for blood, murder and incest. Kill them, rape them, torture them or resurrect them is OK. But talk to them ? Seriously ?

I loved this scene. Missandei and Grey Worm have dealt with Masters all their lives. Even Dany speaks down to them, treating them as her children, matronizing them. Tyrion is an instinctive Republican. Because he's smaller than everyone else, he has fought all his life to lift himself up to everyone's level, even social inferiors', since his small size cancels all the perks of his Lannister name. Now suddenly he finds himself with people who not only do not look down on him, but expect him to be aloof and pompous. The ex-slaves cannot wrap their minds around the fact he treats them as equals, abolishing distances, and Tyrion does not understand that years of silent, stoic obedience have been their answer to oppression, since, for him, being brash and vocal was what helped. The scene tells more about Grey Worm and Missandei than their usual stuffed performances around Dany, it also reveals a lot about Tyrion, his thirst for friendship or simply congenial company. This was a lovely, well-crafted scene, extremely well-played. I hope it finds a receptive audience.


The Ironborn are back!


And so are Bran and Meera, although Bran seems to have all the fun


My favorite couple, Sam and Gilly, are taking a cruise


And Ramsay is still being Ramsay


O happy days!